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Papageno enters dressed as a bird. He describes his life as a bird-catcher, complaining he has no wife or girlfriend aria: Tamino introduces himself to Papageno, thinking Papageno killed the serpent.

Papageno happily takes the credit — claiming he strangled it with his bare hands. The three ladies suddenly reappear and instead of giving Papageno wine, cake and figs, they give him water, a stone and place a padlock over his mouth as a warning not to lie.

The ladies return and tell Tamino that Pamina has been captured by Sarastro, whom they describe as a powerful, evil demon. Tamino vows to rescue Pamina.

The Queen of the Night appears and promises Tamino that Pamina will be his if he rescues her from Sarastro Recitative and aria: They give Tamino a magic flute which has the power to change sorrow into joy.

They tell Papageno to go with Tamino, and give him Papageno magic bells for protection. Together Tamino and Papageno set forth Quintet: Monostatos, a blackamoor and chief of the slaves, orders the slaves to chain her and leave him alone with her.

Papageno, sent ahead by Tamino to help find Pamina, enters Trio: Papageno returns and announces to Pamina that her mother has sent Tamino to save her.

Pamina rejoices to hear that Tamino is in love with her. She offers sympathy and hope to Papageno, who longs for a wife.

Together they reflect on the joys and sacred duties of marital love duet: Tamino approaches the left-hand entrance and is denied access by voices from within.

The same happens when he goes to the entrance on the right. But from the entrance in the middle, an old priest appears and lets Tamino in.

The old priest is referred to as "The Speaker" in the libretto, but his role is a singing role. He tells Tamino that Sarastro is benevolent, not evil, and that he should not trust the Queen of the Night.

Tamino plays his magic flute. Animals appear and dance, enraptured, to his music. Papageno and Pamina enter, searching for Tamino trio: They are recaptured by Monostatos and his slaves.

Papageno plays his magic bells, and Monostatos and his slaves begin to dance, and exit the stage, still dancing, mesmerised by the beauty of the music chorus: Papageno is frightened and asks Pamina what they should say.

She answers that they must tell the truth. Sarastro enters, with a crowd of followers. Sarastro receives her kindly and assures her that he wishes only for her happiness.

But he refuses to return her to her mother, whom he describes as a proud, headstrong woman, and a bad influence on those around her. Pamina, he says, must be guided by a man.

Monostatos brings in Tamino. Monostatos tells Sarastro that he caught Papageno and Pamina trying to escape, and demands a reward.

Sarastro, however, punishes Monostatos for his lustful behaviour toward Pamina, and sends him away. The priests declare that virtue and righteousness will sanctify life and make mortals like gods " Wenn Tugend und Gerechtigkeit ".

The council of priests of Isis and Osiris , headed by Sarastro, enters to the sound of a solemn march. Sarastro tells the priests that Tamino is ready to undergo the ordeals that will lead to enlightenment.

Tamino and Papageno are led in by two priests for the first trial. The three ladies appear and try to frighten Tamino and Papageno into speaking.

Seeing that Tamino will not speak to them, the ladies withdraw in confusion. Monostatos approaches and gazes upon her with rapture.

The Queen is not pleased. She explains that her husband was the previous owner of the temple and on his deathbed, gave the ownership to Sarastro instead of her, rendering the Queen powerless this is in the original libretto, but is usually omitted from modern productions, to shorten the scene with Pamina and her mother.

She gives Pamina a dagger, ordering her to kill Sarastro with it and threatening to disown her if she does not. Pamina begs Sarastro to forgive her mother and he reassures her that revenge and cruelty have no place in his domain Aria: Tamino and Papageno are led in by priests, who remind them that they must remain silent.

Papageno complains of thirst. An old woman enters and offers Papageno a cup of water. He drinks and teasingly asks whether she has a boyfriend.

She replies that she does and that his name is Papageno. She disappears as Papageno asks for her name, and the three child-spirits bring in food, the magic flute, and the bells, sent from Sarastro Trio: Tamino begins to play the flute, which summons Pamina.

She tries to speak with him, but Tamino, bound by his vow of silence, cannot answer her, and Pamina begins to believe that he no longer loves her.

Pamina is brought in and Sarastro instructs Pamina and Tamino to bid each other farewell before the greater trials ahead, alarming them by describing it as their "final farewell.

Sarastro, Pamina, Tamino — " Soll ich dich, Teurer, nicht mehr sehn? The priests grant his request for a glass of wine and he expresses his desire for a wife.

The elderly woman reappears and warns him that unless he immediately promises to marry her, he will be imprisoned forever. When Papageno promises to love her faithfully muttering that he will only do this until something better comes along , she is transformed into the young and pretty Papagena.

Papageno rushes to embrace her, but the priests drive him back, telling him that he is not yet worthy of her. The three child-spirits hail the dawn.

They observe Pamina, who is contemplating suicide because she believes Tamino has abandoned her. Two men in armor lead in Tamino. They recite one of the formal creeds of Isis and Osiris, promising enlightenment to those who successfully overcome the fear of death " Der, welcher wandert diese Strasse voll Beschwerden ".

Pamina calls to him from offstage. The men in armour assure him that the trial by silence is over and he is free to speak with her.

Pamina enters and declares her intention to undergo the remaining trials with him. Protected by the music of the magic flute, they pass unscathed through chambers of fire and water.

Offstage, the priests hail their triumph and invite the couple to enter the temple. They advise him to play his magic bells to summon Papagena.

She appears and, united, the happy couple stutter in astonishment and make bird-like courting sounds at each other.

They plan their future and dream of the many children they will have together Duet: Scene change without interrupting the music, to Scene 9: A rocky landscape outside the temple; night.

The traitorous Monostatos appears with the Queen of the Night and her three ladies. They plot to destroy the temple " Nur stille, stille " and the Queen confirms that she has promised her daughter Pamina to Monostatos.

But before the conspirators can enter the temple, they are magically cast out into eternal night. The first studio recording of the work, with Sir Thomas Beecham conducting the Berlin Philharmonic , was completed in Both of these historic recordings have been reissued on modern recording media.

Since then there have been many recordings, in both audio and video formats. The opera has inspired a great number of sequels, adaptations, novels, films, and other works of art.

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Tamino wakes up, and is surprised to find himself still alive. Papageno enters dressed as a bird. He describes his life as a bird-catcher, complaining he has no wife or girlfriend aria: Tamino introduces himself to Papageno, thinking Papageno killed the serpent.

Papageno happily takes the credit — claiming he strangled it with his bare hands. The three ladies suddenly reappear and instead of giving Papageno wine, cake and figs, they give him water, a stone and place a padlock over his mouth as a warning not to lie.

The ladies return and tell Tamino that Pamina has been captured by Sarastro, whom they describe as a powerful, evil demon.

Tamino vows to rescue Pamina. The Queen of the Night appears and promises Tamino that Pamina will be his if he rescues her from Sarastro Recitative and aria: They give Tamino a magic flute which has the power to change sorrow into joy.

They tell Papageno to go with Tamino, and give him Papageno magic bells for protection. Together Tamino and Papageno set forth Quintet: Monostatos, a blackamoor and chief of the slaves, orders the slaves to chain her and leave him alone with her.

Papageno, sent ahead by Tamino to help find Pamina, enters Trio: Papageno returns and announces to Pamina that her mother has sent Tamino to save her.

Pamina rejoices to hear that Tamino is in love with her. She offers sympathy and hope to Papageno, who longs for a wife. Together they reflect on the joys and sacred duties of marital love duet: Tamino approaches the left-hand entrance and is denied access by voices from within.

The same happens when he goes to the entrance on the right. But from the entrance in the middle, an old priest appears and lets Tamino in.

The old priest is referred to as "The Speaker" in the libretto, but his role is a singing role. He tells Tamino that Sarastro is benevolent, not evil, and that he should not trust the Queen of the Night.

Tamino plays his magic flute. Animals appear and dance, enraptured, to his music. Papageno and Pamina enter, searching for Tamino trio: They are recaptured by Monostatos and his slaves.

Papageno plays his magic bells, and Monostatos and his slaves begin to dance, and exit the stage, still dancing, mesmerised by the beauty of the music chorus: Papageno is frightened and asks Pamina what they should say.

She answers that they must tell the truth. Sarastro enters, with a crowd of followers. Sarastro receives her kindly and assures her that he wishes only for her happiness.

But he refuses to return her to her mother, whom he describes as a proud, headstrong woman, and a bad influence on those around her.

Pamina, he says, must be guided by a man. Monostatos brings in Tamino. Monostatos tells Sarastro that he caught Papageno and Pamina trying to escape, and demands a reward.

Sarastro, however, punishes Monostatos for his lustful behaviour toward Pamina, and sends him away. The priests declare that virtue and righteousness will sanctify life and make mortals like gods " Wenn Tugend und Gerechtigkeit ".

The council of priests of Isis and Osiris , headed by Sarastro, enters to the sound of a solemn march. Sarastro tells the priests that Tamino is ready to undergo the ordeals that will lead to enlightenment.

Tamino and Papageno are led in by two priests for the first trial. The three ladies appear and try to frighten Tamino and Papageno into speaking.

Seeing that Tamino will not speak to them, the ladies withdraw in confusion. Monostatos approaches and gazes upon her with rapture.

The Queen is not pleased. She explains that her husband was the previous owner of the temple and on his deathbed, gave the ownership to Sarastro instead of her, rendering the Queen powerless this is in the original libretto, but is usually omitted from modern productions, to shorten the scene with Pamina and her mother.

She gives Pamina a dagger, ordering her to kill Sarastro with it and threatening to disown her if she does not. Pamina begs Sarastro to forgive her mother and he reassures her that revenge and cruelty have no place in his domain Aria: Tamino and Papageno are led in by priests, who remind them that they must remain silent.

Papageno complains of thirst. An old woman enters and offers Papageno a cup of water. He drinks and teasingly asks whether she has a boyfriend.

She replies that she does and that his name is Papageno. She disappears as Papageno asks for her name, and the three child-spirits bring in food, the magic flute, and the bells, sent from Sarastro Trio: Tamino begins to play the flute, which summons Pamina.

She tries to speak with him, but Tamino, bound by his vow of silence, cannot answer her, and Pamina begins to believe that he no longer loves her.

Pamina is brought in and Sarastro instructs Pamina and Tamino to bid each other farewell before the greater trials ahead, alarming them by describing it as their "final farewell.

Sarastro, Pamina, Tamino — " Soll ich dich, Teurer, nicht mehr sehn? The priests grant his request for a glass of wine and he expresses his desire for a wife.

The elderly woman reappears and warns him that unless he immediately promises to marry her, he will be imprisoned forever. When Papageno promises to love her faithfully muttering that he will only do this until something better comes along , she is transformed into the young and pretty Papagena.

Papageno rushes to embrace her, but the priests drive him back, telling him that he is not yet worthy of her.

The three child-spirits hail the dawn. They observe Pamina, who is contemplating suicide because she believes Tamino has abandoned her.

Two men in armor lead in Tamino. They recite one of the formal creeds of Isis and Osiris, promising enlightenment to those who successfully overcome the fear of death " Der, welcher wandert diese Strasse voll Beschwerden ".

Pamina calls to him from offstage. The men in armour assure him that the trial by silence is over and he is free to speak with her.

Pamina enters and declares her intention to undergo the remaining trials with him. Protected by the music of the magic flute, they pass unscathed through chambers of fire and water.

Offstage, the priests hail their triumph and invite the couple to enter the temple. They advise him to play his magic bells to summon Papagena.

She appears and, united, the happy couple stutter in astonishment and make bird-like courting sounds at each other. They plan their future and dream of the many children they will have together Duet: Scene change without interrupting the music, to Scene 9: A rocky landscape outside the temple; night.

The traitorous Monostatos appears with the Queen of the Night and her three ladies. They plot to destroy the temple " Nur stille, stille " and the Queen confirms that she has promised her daughter Pamina to Monostatos.

But before the conspirators can enter the temple, they are magically cast out into eternal night. The first studio recording of the work, with Sir Thomas Beecham conducting the Berlin Philharmonic , was completed in Both of these historic recordings have been reissued on modern recording media.

Since then there have been many recordings, in both audio and video formats. The opera has inspired a great number of sequels, adaptations, novels, films, and other works of art.

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